In Dew on the Thorn by Jovita Gonzáles1, the Anglo plays a rather significant roll not because we are not familiar with the eternal binomial in Chicano narrative between gringos and Chicanos but because it is an early ground we have walked upon before. Jovita is a predecessor of Aztlán geography and topology. It is a common ingredient in Chicano narrative to see the gringo in the distant. Way before we begin to deal with the gringo we have began to see Them. Jovita does this well. It details the aproximation of the inevitable, that is, the gringo in our midst. Then we deal with it. We can see this same technique in Ana Castillo’s novel So Far from God: The Peacock raiser encroaches in the consciousness unannounced. We have only heard of them and then we see them to lastly seek them.
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1 González, Jovita. Dew on the Thorn. Ed. José Limón. Houston: Arte Público Press, 1997.
Jovita Gonzáles Comment 2
In Dew on the Thorn by Jovita Gonzáles1, the Anglo plays a rather significant roll not because we are not familiar with the eternal binomial in Chicano narrative between gringos and Chicanos but because it is an early ground we have walked upon before. Jovita is a predecessor of Aztlán geography and topology. It is a common ingredient in Chicano narrative to see the gringo in the distant. Way before we begin to deal with the gringo we have began to see Them. Jovita does this well. It details the aproximation of the inevitable, that is, the gringo in our midst. Then we deal with it. We can see this same technique in Ana Castillo’s novel So Far from God: The Peacock raiser encroaches in the consciousness unannounced. We have only heard of them and then we see them to lastly seek them.
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1 González, Jovita. Dew on the Thorn. Ed. José Limón. Houston: Arte Público Press, 1997.
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